{"id":2591,"date":"2021-12-03T20:32:15","date_gmt":"2021-12-03T20:32:15","guid":{"rendered":"https:\/\/andydegroat.org\/ccinp\/?page_id=2591"},"modified":"2024-01-23T14:31:07","modified_gmt":"2024-01-23T14:31:07","slug":"le-lac","status":"publish","type":"page","link":"https:\/\/andydegroat.org\/ccinp\/le-lac\/","title":{"rendered":"swan lac"},"content":{"rendered":"\t\t
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swan lac<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\"Swan_Lac_ROBIN-DGCA-CCINP\"\t\t\t\t\t\t\t\t\t\t\t
\u00a9 christiane robin<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Le Lac<\/strong><\/p>

Cr\u00e9\u00e9 en 1982\u00a0<\/p>

De prince, d\u2019oiseaux et de sortil\u00e8ge, il n\u2019est plus vraiment question ici. Certains chor\u00e9graphes se sont davantage empar\u00e9s du\u00a0Lac des cygnes<\/em>\u00a0en tant que monument de l\u2019art chor\u00e9graphique. Embl\u00e8me du classicisme, le\u00a0Lac\u00a0<\/em>se r\u00e9v\u00e8le \u00eatre vecteur de significations sociales et politiques.<\/span><\/p>

En contrepoint de la partition de Tcha\u00efkovski,\u00a0Andy de Groat\u00a0a choisi une musique rock pour l\u2019acte 2 de son\u00a0Lac, trois titres de l\u2019album des Talking Heads\u00a0Remain in Light<\/em>.<\/span><\/p>

Dans ce ballet en trois actes, un trio de danseurs personnifie \u00e0 lui seul les cygnes arpentant le plateau dans une marche g\u00e9om\u00e9trique, r\u00e9p\u00e9titive, tout en voltes face et pivots. Leur danse n\u2019a rien d\u2019illustratif. Elle s\u2019articule avec l\u2019impulsion musicale en usant d\u2019emprunts au vocabulaire acad\u00e9mique : grands jet\u00e9s, tours, ports de bras. Par sa radicalit\u00e9, son langage parfois minimaliste, le chor\u00e9graphe am\u00e9ricain livre ainsi une relecture \u00ab post moderne \u00bb du\u00a0Lac\u00a0<\/em>qui d\u00e9sorienta le public balletomane.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Dans le premier acte<\/strong>, Andy utilise un mat\u00e9riel chor\u00e9graphique abr\u00e9g\u00e9, pris dans le troisi\u00e8me acte, dans\u00e9 sur des extraits d’un conte pour enfants.<\/p>

La composition serait proche d\u2019une \u00e9criture al\u00e9atoire, des principes de partition commune, des changements de plan, des choix d\u2019espace diff\u00e9rents, m\u00e9lang\u00e9 avec des twist et d\u00e9hanch\u00e9s de bo\u00eete de nuit !<\/p>

Chaque interpr\u00e8te : Viviane Serry, Micha\u00ebl O\u2019Rourke et Andy de Groat, incarnent les trois r\u00f4les du Lac : Aude (Odette), Rothbart, Siefried. Trois solo et un trio introduisent cette pi\u00e8ce chor\u00e9graphique.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Le deuxi\u00e8me acte<\/strong> consiste en une danse march\u00e9e, obsessive, aux parcours complexes, qui maintient (sauf une acc\u00e9l\u00e9ration due \u00e0 la musique) une atmosph\u00e8re constante, minimale, inchangeante.<\/p>

17 minutes de marche, de course, de fentes et de bras repris de l\u2019acte I, une sorte de forme pantomime, qui caract\u00e9rise les trois personnages.<\/p>

Les pieds des danseurs marquent et dessinent les lettres de leurs pr\u00e9noms tout au long de cet acte, avec un mouvement libre des bras, qui all\u00e8gent ce tourbillon qui nous rappelle le spinning dont Andy est adepte depuis les ann\u00e9es 70.<\/p>

\u00c0 la toute fin, pour un court moment, les trois danseurs sont align\u00e9s et tout s\u2019acc\u00e9l\u00e8re. \u00c0 l\u2019unisson, accumulation de l\u2019\u00e9criture des trois pr\u00e9noms des interpr\u00e8tes, unisson \u00e9galement des bras du premier acte, puis une autre partition de bras en solo, pour terminer par une posture commune disco et un d\u00e9hanch\u00e9 pour final de l\u2019acte.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Le troisi\u00e8me acte<\/strong> nous plonge dans la traditionnelle partition musicale de Tcha\u00efkovski. Une lumi\u00e8re de couleur lilas \u00e9claire le centre de la sc\u00e8ne progressivement, les spectateurs d\u00e9couvrent des canards vivants et libres dansant sur les premi\u00e8res notes de Tcha\u00efkovky. \u00a0<\/p>

Dans l\u2019acte 3, la th\u00e9\u00e2tralit\u00e9 des trois personnages s\u2019affirment\u2026 La danse des cygnettes, par exemple, appel\u00e9 aussi pas de quatre, r\u00e9f\u00e9rence de ce ballet, est transpos\u00e9e pour ce trio, avec des moments fid\u00e8les \u00e0 la partition originale et d\u2019autres d\u00e9jant\u00e9s, th\u00e9\u00e2tralis\u00e9s et d\u00e9cal\u00e9s\u2026<\/p>

\u00ab\u00a0Dans la version pour 7 danseurs en 1995, dans le cadre du Festival d’Avignon, nous chantions sur sc\u00e8ne \u00e0 la fin de la musique des cygnettes \u00ab\u00a0derri\u00e8re devant derri\u00e8re devant, pam pam pam pampam ; derri\u00e8re devant derri\u00e8re devant pam pam pam pampam, tintin !!!\u00a0\u00bb<\/p>

O<\/a>livier Clarg\u00e9<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tAndy au Lyc\u00e9e, les programmes Art Danse<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

swan lac \u00a9 christiane robin Le Lac Cr\u00e9\u00e9 en 1982\u00a0 De prince, d\u2019oiseaux et de sortil\u00e8ge, il n\u2019est plus vraiment question ici. Certains chor\u00e9graphes se sont davantage empar\u00e9s du\u00a0Lac des […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2591","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/andydegroat.org\/ccinp\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"swan lac \u00a9 christiane robin Le Lac Cr\u00e9\u00e9 en 1982\u00a0 De prince, d\u2019oiseaux et de sortil\u00e8ge, il n\u2019est plus vraiment question ici. Certains chor\u00e9graphes se sont davantage empar\u00e9s du\u00a0Lac des […]","_links":{"self":[{"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/pages\/2591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/comments?post=2591"}],"version-history":[{"count":42,"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/pages\/2591\/revisions"}],"predecessor-version":[{"id":3907,"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/pages\/2591\/revisions\/3907"}],"wp:attachment":[{"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/media?parent=2591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}