{"id":2504,"date":"2021-12-03T17:44:27","date_gmt":"2021-12-03T17:44:27","guid":{"rendered":"https:\/\/andydegroat.org\/ccinp\/?page_id=2504"},"modified":"2025-01-28T10:41:11","modified_gmt":"2025-01-28T10:41:11","slug":"les-pieces","status":"publish","type":"page","link":"https:\/\/andydegroat.org\/ccinp\/les-pieces\/","title":{"rendered":"red notes"},"content":{"rendered":"\t\t
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red notes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00a9 fran\u00e7ois lefebvre - remix ccinp<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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red notes<\/strong><\/p>

Cr\u00e9\u00e9 en 1977 \u00e0 Halifax au Canada pour des \u00e9tudiants des Beaux\u00ad Arts, puis en 1978 pour la compagnie Andy de Groat and Dancers, Red Notes<\/em> deviendra un ballet embl\u00e9matique du travail d\u2019Andy.
Il donnera d\u2019ailleurs ce nom de \u00ab Red Notes \u00bb \u00e0 la compagnie qu\u2019il cr\u00e9era lors de son installation en France.
Sur des textes de Gertrude Stein et une musique de Philip Glass, ce ballet est un monument de la danse non \u00adnarrative de la p\u00e9riode dite post\u00admoderne<\/a> ou minimaliste<\/a>.
Red Notes permet de faire danser ensemble des gens de tous \u00e2ges et de tous horizons.
L\u2019\u00e9criture de cette pi\u00e8ce allie une grande rigueur des comptes et de la structure avec une grande libert\u00e9 \u00e0 l\u2019int\u00e9rieur du cadre et m\u00eame des corps.
En 2022, Red Notes aura 45 ans et n\u2019aura pas \u00e9t\u00e9 remont\u00e9e depuis 20 ans, les derni\u00e8res reprises ayant eu lieu \u00e0 l\u2019Op\u00e9ra de Rouen et \u00e0 Odyssud Blagnac. Elles furent toutes deux riches de rencontres, d\u2019\u00e9changes et de m\u00e9lange entre amateurs et professionnels, jeunes et vieux, classiques et contemporains et elles suscit\u00e8rent de nombreuses vocations.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tPresse 2022<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Remonter red notes et fan dance<\/strong> aujourd\u2019hui a toujours du sens.<\/p>

Parce qu\u2019elles parlent d\u2019une \u00e9poque importante de la danse contemporaine. Parce qu\u2019il faut faire ce travail de m\u00e9moire pour envisager l\u2019avenir. Parce que le monde n\u2019a pas chang\u00e9 de trajectoire depuis que Daniel Conrod<\/strong> a \u00e9crit dans le programme de salle, lors de la reprise de Red Notes \u00e0 l\u2019Op\u00e9ra de Rouen :<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a0<\/p>

\u00ab Depuis mille neuf cent soixante \u00addix \u00adsept, des mondes se sont effondr\u00e9s, Murs de Berlin <\/em>en grand nombre et autres Sarajevo. Le train de l\u2019histoire passe aujourd\u2019hui sous nos <\/em>fen\u00eatres, comme il passerait sous notre nez, \u00e0 notre barbe. Ne sommes\u00ad-nous plus que <\/em>des t\u00e9moins ou des voyeurs ? Ici chez nous, dans ce pays qui n\u2019en est plus tout \u00e0 fait un <\/em>\u2013 je veux dire qu\u2019il n\u2019est plus un univers souverain, culturellement satisfaisant, <\/em>\u00e9conomiquement autosuffisant \u2013, les \u00e9lections se succ\u00e8dent, la gauche arrive aux <\/em>affaires, montre qu\u2019elle sait gouverner elle aussi, les politiques culturelles se construisent <\/em>et se d\u00e9construisent ? L\u2019\u00c9tat, de son c\u00f4t\u00e9, se retire avec soulagement ou l\u00e2chet\u00e9 tandis <\/em>que l\u2019argent devient notre ma\u00eetre le plus ordinaire\u2026\u00a0Et peu \u00e0 peu, comme si nous lui<\/em>
avions \u00e9t\u00e9 livr\u00e9s sans appel, l\u2019imp\u00e9ratif \u00e9conomique s\u2019insinue dans nos t\u00eates, fabrique <\/em>nos pens\u00e9es, formate nos actes, trace les p\u00e9rim\u00e8tres, fa\u00e7onne nos peurs.<\/em>
Le dire n\u2019est pas l\u2019emp\u00eacher. Le dire, c\u2019est le dire. Ce n\u2019est m\u00eame que cela.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00ab\u00a0Andy\u00a0de\u00a0Groat,\u00a0une\u00a0histoire\u00a0post\u00a0moderne\u00a0\u00bb\u00a0qui incluait le ballet Red Notes a pu se r\u00e9aliser gr\u00e2ce au soutien du CN D<\/strong>, de Angers Nantes Op\u00e9ra<\/strong>, du CRR<\/strong> de Nantes, de la\u00a0 MC93<\/strong> de Bobigny, du CNDC<\/strong> d’Angers et du CNN de Nantes\u00a0<\/strong><\/p>

Le CCINP\u00a0\u00a0andy de groat est soutenu par la D.G.C.A.<\/strong> ainsi que par ses adh\u00e9rents et donateurs.<\/p>

Programme de salle<\/strong><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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L\u2019ayant fait, il reste \u00e0 inventer autre chose, un autre monde [\u2026]<\/em><\/p>\n

Revoir aujourd\u2019hui Red Notes, revoir aujourd\u2019hui Fan Dance, c\u2019est remonter un peu de<\/em> ce temps qui nous a \u00e9chapp\u00e9, d\u00e9busquer quelques traces enfouies, traquer le fil<\/em> perdu. Non pas avec m\u00e9lancolie, mais avec la d\u00e9termination de chasseurs pacifiques. <\/em>Marcher marcher marcher…<\/strong> \u00bb<\/em><\/p>\n

<\/p>\n

<\/gwmw><\/p>\n<\/gwmw>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Red Notes 2022 \u00a9 Jean-Marie Jagu<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRed Notes en image<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

red notes \u00a9 fran\u00e7ois lefebvre – remix ccinp red notes Cr\u00e9\u00e9 en 1977 \u00e0 Halifax au Canada pour des \u00e9tudiants des Beaux\u00ad Arts, puis en 1978 pour la compagnie Andy […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2504","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/andydegroat.org\/ccinp\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"red notes \u00a9 fran\u00e7ois lefebvre – remix ccinp red notes Cr\u00e9\u00e9 en 1977 \u00e0 Halifax au Canada pour des \u00e9tudiants des Beaux\u00ad Arts, puis en 1978 pour la compagnie Andy […]","_links":{"self":[{"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/pages\/2504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/comments?post=2504"}],"version-history":[{"count":175,"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/pages\/2504\/revisions"}],"predecessor-version":[{"id":4051,"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/pages\/2504\/revisions\/4051"}],"wp:attachment":[{"href":"https:\/\/andydegroat.org\/ccinp\/wp-json\/wp\/v2\/media?parent=2504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}