{"id":1206,"date":"2021-07-21T11:48:09","date_gmt":"2021-07-21T11:48:09","guid":{"rendered":"https:\/\/andydegroat.org\/ccinp\/?page_id=1206"},"modified":"2026-02-17T11:10:45","modified_gmt":"2026-02-17T11:10:45","slug":"quelques-reperes-de-memoire","status":"publish","type":"page","link":"https:\/\/andydegroat.org\/ccinp\/quelques-reperes-de-memoire\/","title":{"rendered":"quelques rep\u00e8res, de m\u00e9moire"},"content":{"rendered":"\t\t
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quelques rep\u00e8res de m\u00e9moire<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00a9 christiane robin<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Nomm\u00e9 Officier de l\u2019Ordre des Arts et des Lettres par Jack Lang en 1985, puis Commandeur en 2000 par Catherine Tasca.<\/p>

R\u00e9sidences \u00e0 Tarbes (1985), Aulnay-sous-Bois (1989-92) et \u00e0 l\u2019Op\u00e9ra-Th\u00e9\u00e2tre de Massy<\/a> (1994-95). Compagnie soutenue par le Minist\u00e8re de la Culture d\u00e8s 1984,<\/p>

Red notes devient compagnie chor\u00e9graphique associ\u00e9e \u00e0 la Ville de Montauban en 1997 pour six ans.<\/p>

Elle re\u00e7oit une bourse de la Fondation Robbins<\/a> pour l\u2019ensemble de ses activit\u00e9s, est conventionn\u00e9e trois ans avec BNP Paribas pour le d\u00e9veloppement de ses projets.<\/p>

Aujourd\u2019hui plus de soixante cr\u00e9ations, pr\u00e9sent\u00e9es dans une vingtaine de pays. R\u00e9solument contemporaine, elle revient p\u00e9riodiquement \u00e0 une interrogation de ce que \u00e7a peut \u00eatre contemporain, classique, cr\u00e9ation, r\u00e9pertoire et patrimoine.<\/p>

Connu par certains pour mes \u00ab relectures \u00bb de ballets du XIXe<\/sup>… Lac des Cygnes<\/i>, la Bayad\u00e8re<\/i>, Casse Noisette <\/i>et Giselle<\/i>. Okay, pourquoi pas. Mais il s\u2019agit en ce que me concerne de 4 pi\u00e8ces parmi 60.<\/p>

Pi\u00e8ces \u00e9galement pour les jeunes danseurs en \u00e9tude aux \u00e9coles nationales\/Conservatoires de Paris, Lyon, Angers, Cannes, Marseille et innombrables stages, souvent, m\u00eame si plus compliqu\u00e9, avec \u00e2ges et niveaux confondus.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Curieux de nature, me suis pli\u00e9 aux exigences lyriques ; les danseurs de la compagnie Red notes ont collabor\u00e9 r\u00e9guli\u00e8rement aux productions d\u2019op\u00e9ra :<\/p>

Orph\u00e9e et Eurydice<\/i>, Gluck\/Verg\u00e8s au Th\u00e9\u00e2tre des Champs-Elys\u00e9es en 1988, l\u2019An I<\/i>, op\u00e9ra contemporain de Duncan Youngerman<\/i> en 1989 pour les Festivals d\u2019Edimbourg et Duisbourg, l\u2019inauguration de l\u2019Op\u00e9ra Bastille, Saint-Sa\u00ebns\/Wilson en 1989 avec le ballet de l\u2019Op\u00e9ra de Paris, L<\/em>a Fl\u00fbte Enchant\u00e9e<\/i>, Mozart\/Wilson, en 1991, 1995, 1999 et 2004 \u00e0 l\u2019Op\u00e9ra Bastille. T<\/em>he Rake\u2019s Progress <\/i>en 1992 et 1997, Stravinsky\/Nagano\/Arias au Festival d\u2019Art Lyrique d\u2019Aix-en-Provence ; et les op\u00e9ras de Lyon, Montpellier et G\u00eanes.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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A\u00efda<\/i>, 2000, Verdi\/Chailly\/Gr\u00fcber \u00e0 l\u2019Op\u00e9ra d\u2019Amsterdam. Anacr\u00e9on, Cherubini\/Ferro\/Gangneron en coproduction avec la Fondation Teatro La Fenice de Venise. Op\u00e9ras donc, mais pas que : pr\u00e9sentations en studio, sc\u00e8nes nationales, festivals, th\u00e9\u00e2tres municipaux, mus\u00e9es, universit\u00e9s, spectacles en plein air et salles des f\u00eates.<\/p>

Parall\u00e8lement aux r\u00e9pertoire et cr\u00e9ations pour la compagnie (et d\u2019autres !), j\u2019ai poursuivi ma d\u00e9marche avec les \u00e9coles locales et les jeunes de Wah Loo Tin Tin Co. durant la r\u00e9sidence de Red notes \u00e0 Montauban.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Activit\u00e9s plus r\u00e9centes<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Piccoli Pezzi <\/i>et Alessandro d\u2019Amore <\/i>pour Red notes et Wah Loo, Swan Lac <\/i>pour le ballet de l\u2019Op\u00e9ra d\u2019Avignon, La Folie d\u2019Igitur <\/i>\u00e0 la Chartreuse de Villeneuve-lez-Avignon, les Hivernales et le CND\/Pantin, un hommage au compositeur Michael Galasso \u00e0 la Biblioth\u00e8que national de France\/ Fran\u00e7ois Mitterrand, extraits de Piccoli Pezzi <\/i>et Casse Noisette <\/i>pour les jeunes Mutins de Grenoble, La Danse des \u00e9ventails <\/i>\u00e0 l\u2019Op\u00e9ra de Montpellier, Cooper Square, Times Square et le 92nd Street Y \u00e0 New York, et Fragments<\/i>, Kata Karma Kabaret<\/i>, et Cocteau Cocktail <\/i>pour la Maison des pratiques artistiques amateurs (MPAA\/Ville de Paris).<\/p>

Ma sant\u00e9 est fragile mais stable. Un cher ami coll\u00e8gue m\u2019a dit qu\u2019il ne faut pas parler de \u00e7a. Mais l\u2019\u00e9poque o\u00f9 les artistes amis tombent, o\u00f9 d\u2019avouer une s\u00e9ropositivit\u00e9 signalait l\u2019arr\u00eat d\u2019une carri\u00e8re ou d\u2019un destin est, heureusement, derri\u00e8re nous.<\/p>

Vibrance entre faits secs et lyrisme d\u00e9bordant, catatonie et hyper-activit\u00e9, tandis que la muse est \u00e0 la commande de personne. Des fois occup\u00e9e ailleurs, elle ne vient pas forc\u00e9ment quand appel\u00e9e…<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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R\u00e9sum\u00e9 de pi\u00e8ces du r\u00e9pertoire (listes partielles, certaines pi\u00e8ces perdues et\/ou oubli\u00e9es). Les noms entre parenth\u00e8ses renvoient tant\u00f4t au metteur en sc\u00e8ne, tant\u00f4t \u00e0 un compositeur ou un interpr\u00e8te principal :<\/span><\/p>

Le Regard du Sourd (Wilson) 1971<\/strong><\/p>

The Body hears (Lloyd) 1972<\/strong><\/p>

Paris Sequence 1973<\/strong><\/p>

Une lettre pour la Reine Victoria (Wilson\/Lloyd\/Galasso)1974<\/strong><\/p>

Rope Dance Translations 1974<\/strong><\/p>

Rope Dance Translations (solo) film Viola Stephan<\/strong><\/p>

Rope Dance Translations (quatuor) Cloud Dance et Syracuse Sequence Iranian Suite (Galasso) 1975<\/strong><\/p>

Einstein on the Beach (Wilson\/Glass)<\/strong><\/p>

Angie\u2019s Waltz (Lloyd) 1977<\/strong><\/p>

Red notes (Stein\/Glass) 1977<\/strong><\/p>

Get wreck (Knowles) 1978<\/strong><\/p>

Waiting for godot fan dance (Galasso)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u00a0<\/p>

Bushes of conduct (Eastman) 1979<\/strong><\/p>

Portraits of american dancers (Chopin)<\/strong><\/p>

Gravy (Eastman) 1980<\/strong><\/p>

Giselle \u00e9chapp\u00e9e (Piollet) 1980<\/strong><\/p>

Thin Ice Nancarrow 1981<\/strong><\/p>

Tender buttons (Stein) 1981<\/strong><\/p>

Bottega Fantastica (Rossini) 1982<\/strong><\/p>

Swan Lac<\/a> 1982<\/strong><\/p>

Nouvelle lune, c\u2019est \u00e0 dire (Piollet\/Guizerix) 1983<\/strong><\/p>

film Horn\/Meaney film Brentano\/Horn 1976<\/strong><\/p>

1978 1979<\/strong><\/p>

Josephine, la cantatrice (Kafka\/Cybils) 1983<\/strong><\/p>

La petite mort 1984<\/strong><\/p>

La Belle et la B\u00eate (Piollet\/Guizerix) 1985<\/strong><\/p>

Giungla (La Scala de Milan) 1985<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Portraits de danseurs (Piollet\/Guizerix\/GRCOP) 1985<\/p>

La route de Louvie-Juzon et Red notes (GRCOP) 1987<\/p>

Orph\u00e9e et Eurydice (Gluck\/Verg\u00e8s) May meets Marie 1989<\/p>

l\u2019AN I (Youngerman) 1988<\/p>

Black Ice 1989<\/p>

Melon Royal (GRCOP) 1989<\/p>

Stabat (Pergolesi\/Galasso) 1990<\/p>

La Fl\u00fbte Enchant\u00e9e (Mozart\/Wilson)<\/p>

The Rake\u2019s Progress (Stavinsky\/Arias)<\/p>

Ma d\u00e9esse s.d.f. (Kalpana) 1993<\/p>

Le faune d\u00e9voil\u00e9 (Par\u00e9) 1993<\/p>

Giselle \u00e9chapp\u00e9e (trio : Piollet\/Guizerix\/Par\u00e9) 1993<\/p>

Tangos ! 1994<\/p>

Casse-Noisette 1995<\/p>

Les 7 derni\u00e8res paroles du Christ (Guizerix) 1994<\/p>

Mon piano 1996<\/p>

Les Enfants de Willy 1998<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Piccoli Pezzi 2000<\/p>

A\u00efda (Verdi\/Gr\u00fcber) 2000<\/p>

Anacr\u00e9on (Cherubini\/Gagneron) 2000<\/p>

Naze Croisette (les Wahloo) 2002<\/p>

Alessandro d\u2019Amore (Scarlatti) 2003<\/p>

Casse Noisette et La Danse des \u00e9ventails (Ballet du Nord) 2005<\/p>

Fragments (MPAA) 2007<\/p>

Swan Lac (ballet de l\u2019Op\u00e9ra d\u2019Avignon) 2008<\/p>

La Folie d\u2019Igitur 2009-2010<\/p>

Films sur les carnets red notes (Do Brunet) 2010-2011<\/p>

Pas de parade (Satie\/Conservatoire de Marseille) 2011<\/p>

Hommage \u00e0 Michael Galasso (BnF) 2011<\/p>

Kata Karma Kabaret (MPAA) 2012<\/p>

Piccoli Pezzi\/Casse Noisette (Mutins\/Grenoble) 2012-2013<\/p>

Cocteau Cocktail<\/a> (Cocteau\/Bargues – MPAA) 2015<\/p>

Fan Dance version Sylvester<\/a> 2014<\/p>

Willows<\/a> (Film \/ Do Brunet) 2018<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Quelques villes de diffusion en France<\/strong><\/p>

Albi, Alen\u00e7on, Angoul\u00eame, Arles, Aubusson, Aulnay-sous-Bois, Avignon, Bezons, Bordeaux, Ch\u00e2teau-Gontier, Clermont-Ferrand, Douai, Fontevraud, La Rochelle, Laval, Le Mans, Lyon, Massy, Mazamet, Moissac, Montauban, Montpellier, Mulhouse, Nantes, Paris, Ris-Orangis, Roubaix, Rouen, Strasbourg, Toulouse, Tours, Tulle, Vannes\u2026<\/p>

Quelques villes de diffusion internationale<\/strong><\/p>

Amsterdam, Aoste, Bari, Belgrade, Berlin, Boston, Bruxelles, Budapest, Cluj, G\u00eanes, Groningen, Halifax, Helsinki, Londres, Milan, Minneapolis, New York, Pesaro, Rome, Rotterdam, Sao Paulo, Shiraz, Sophia, Stockholm, Timisoara, Turin, Turku, Utrecht, Vancouver, Venise…<\/p>

Quelques lieux et festivals<\/strong><\/p>

Teatro Cristallo et Teatro Nazionale (Milan), Metropolitan Opera et Museum of Modern Art (New York-USA) Op\u00e9ra Bastille, Palais Garnier, Op\u00e9ra Comique, Centre Pompidou, Mus\u00e9e Galliera, Mus\u00e9e d\u2019Art Moderne, Th\u00e9\u00e2tre des Champs-\u00c9lys\u00e9es, Th\u00e9\u00e2tre de la Ville, Th\u00e9\u00e2tre du Rond-Point (Paris-France) Op\u00e9ras de Lyon, Rouen, Montpellier, Avignon, Massy (France)
Abbaye de Fontevraud (France)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Quelques lieux et festivals (suite)
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Festival d\u2019Automne (Paris-France), Festival de Shiraz (Shiraz-Iran,) Danza Torino (Turin-Italie), Universit\u00e9s d\u2019 Iowa, Ohio et New York (USA) et Vancouver (Canada), Plein air au Lincoln Center et \u00e0 Central Park (New York-USA), place Nationale (Montauban- France), Palais Royal (Paris-France)<\/p>

Quelques musiques\u2026<\/strong><\/p>

Alan Lloyd, Michael Galasso, Julius Eastman, Mozart, Hadyn, Tcha\u00efkovsky, Stravinsky en passant par Noir D\u00e9sir, Prodigy, Tom Waits, Duncan Youngerman, Nicolas Frize, Dionne Warwick, Aretha Franklin\u2026<\/p>

… et textes<\/strong><\/p>

Gertrude Stein, Christopher Knowles, Pascal Quignard, Antoine Volodine…<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u00a9 lo\u00efs greenfield<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Le CCINP remercie :<\/p>

Le D\u00e9partement Patrimoine, audiovisuel et \u00e9ditions du CN D, Laurent S\u00e9billotte et son \u00e9quipe,
Rapha\u00ebl Cottin pour ses pr\u00e9cieuses informations biographiques,
Tous les photographes qui nous ont aimablement pr\u00eat\u00e9 leur \u0153uvres en attendant des jours meilleurs.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Un dernier mot : hommage et chapeau bas aux interpr\u00e8tes. Andy<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRetour au sommaire<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

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